a piano high

After almost 30 years of piano abstinence, I now sit through Mini-Me’s lessons and, for this reason alone, I have been re-bitten by the bug.  Clearly, my output is not at all audience-worthy but, in comparison with looming copy deadlines, small people’s homework and client online media strategies, I find playing the piano, however badly, a marvellously relaxing activity.

The jury seems to be utterly divided when it comes to showman pianist, Lang Lang.  Those that adore him can’t seem to get enough and others find his extrovert manner and look-at-me keyboard antics to be insufferable.  Clearly the former category is numerous as last night the Royal Albert Hall was yet again a sell-out, the second of three nights of his Beethoven Concerto Cycle accompanied by the Philharmonia orchestra. In search of further inspiration as well as curiosity, I joined the ‘Lang fans’ for a classical yet dramatic performance.

The man is quite possibly living in a parallel universe.  I felt convinced that he was intoxicated by the music and seemed almost surprised to see us all sitting there when he was released from his trance by our applause.  I must confess that my intricate knowledge of Beethoven’s work is lacking so, in an ignorantly blissful way, I will never know how much of the tempo was adulterated by Lang Lang.  For me, his performance was simply magical.

As he was expelled by his piano teacher for lack of talent at the age of nine, Lang Lang has had a lot to prove.  Practicing eight hours a day, it has now paid off as, aged almost 30, he is a world famous phenomenon having played for President Obama at the White House and before a global audience of billions at the opening of the Beijing Olympic Games in 2008.  I doubt his approach will ever be fully appreciated by the die-hard classical music lovers but for an uneducated ear like mine, I admit I enjoyed the drama.

To book tickets for Friday 23rd, visit the Royal Albert Hall.

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battle of the blondes

I should be clear that my visit to Chisou (with my very own blonde) occurred on the day after Mr AA Gill’s less-than positive review of the restaurant had appeared in Sunday Times Style. Seeing as Chisou’s sister restaurant in Mayfair has an excellent reputation, I expected to uncover a Chiswick equivalent. Instead I found a team of quivering wrecks and hurt faces. As you would expect, the Japanese culture would take a negative review very badly. I somehow felt it was my duty to undo any ignorant wrong doing and, as a real lover of Japanese cuisine, give Chisou a fair review.

Read my full review on West London Living

 

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one fairly unusual film

I often wonder why I like unusual films while others tend to veer away from them. I suppose I am attracted to the way it makes you feel as you watch them. She Monkeys, Lisa Aschan’s debut feature, certainly does not make for comfortable viewing as it pushes the boundaries of political correctness to breaking point.

Billed as a taboo-busting modern Western, the award-winning Swedish screenplay follows a trio of young women for whom gender is both weapon and toy.  Two of these females are teenage equestrians Emma (Mathilda Paradeiser) and Cassandra (Linda Molin).  Both training as part of a local performing team, the girls are constantly competing with each other for physical and psychological control.   Their relationship is intensified by a growing sexual attraction as they negotiate this competitive streak both in their training as well as when hanging out together.

The third member of the trio is Emma’s seven year old sister, Sara (Isabella Lindquist).  While the girls are clearly being brought up by their single father, we sense Sara is very much ruling the roost while her older sister is cavorting around with her new, rather dominant, friend.  In one scene, a local swimming pool attendant advises that Sara should be wearing a bikini top for modest reasons, suggesting that there have been ‘problems with men’ in the past.  Subtly referring to paedophilia in this way continues Aschan’s mission of insisting a theme of audience discomfort.  She explains: ‘I put a lot of work into creating a set of rules for the development of the story, that way the choices I have to make never is a matter of taste’.

Certainly this film is beautifully crafted, but it was not to my taste.  However, while I did feel tense and awkward at times, I could admire the spellbinding, powerful females set against a backdrop of equestrian art. But the plot is confusing, disturbing and rather startling at times and I am not sure that this makes for pleasurable viewing.   All in all, Aschan has delivered here a semi-erotic thriller in a category of its own.

Buy She Monkeys here.

 

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moody mum day

And so tomorrow is another day for idiots to be exploited by florists, greetings card manufacturers and restaurants.  I’m not calling Him and the kids idiots, but they too are clearly tempted to roll out a near-perfect Mother’s Day for me.  Most of us want to make our mother feel loved, of course, but surely the familial efforts could be more imaginative and avoid the obvious commercial pit falls?

Quite simply, a date in the calendar cannot act like an emotional laxative, releasing Mother-love and appreciation. Drug and psychotherapy can bring that on, if really necessary.  For me, Mother’s Day is a thoughtful day.  A day when I not only acknowledge my mother’s relentless giving and helping hand in all that I do but also I find myself remembering everything my grandmother sacrificed for her, and for my generation in turn.

And while tasking my kids with clearing plates and making additional beds as acts of love, I will spare a thought for my strong friends who have lost their mothers, either almost a decade ago or in the last week.   So join me in a pensive day and try to avoid the paid-for compliments.

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